Joannis Avramidis1922 Batumi, Georgia 1922 - 2016 2016 Vienna
Joannis Avramidis was a contemporary Austrian-Greek sculptor. He was born to Greek parents in Batumi on the coast of the Black Sea in 1922. There, he studied at the public school of art from 1937 until 1939. From 1939 until 1943, he lived in Athens, and in 1943, he would eventually go on to live in Vienna. Avramidis studied painting at the Akademie der bildenden Künste (Academy of Fine Arts) in Vienna as a student of Robin Christian Andersen and Fritz Wotruba. Avramidis achieved his international breakthrough in 1962, where he represented Austria at the Venice Biennale. In 1965-1966, Joannis Avramidis was the head of the figure drawing class at the academy in Vienna. During the following two years, he was a visiting professor at the Hochschule für bildende Künste (University of Fine Arts) in Hamburg. From 1968 until 1992, Avramidis directed the master class for sculpture at the Vienna Academy of Fine Arts.
Joannis Avramidis’ famous bronze sculptures
The artist is particularly famous for his partly life size and larger than life bronze sculptures that embody normative aesthetics. A lot of his works are exhibited in public spaces, e.g. in Vienna, Berlin, Hamburg, Munich and Athens. Avramidis mainly worked with bronze according to plaster models; he would later apply synthetic resin, or massive aluminium as well as copper and other materials. Joannis Avramidis’ sculptural work primarily refers to the human form and even in its maximum state of abstraction continues to maintain its reference to human shape and posture. His focus, however, is not the silhouette, but the “inner space of the body“ (1) – a strongly compressed and condensed body, which, even if applied in plurality, produces a compact form. Without sexual characteristics and a rounded off surface, his figures turn into de-individualised members of a group of columns merged into one. The artist only assigns physical features through a stylised, horizontal segmentation. His figural compositions unfold like trees up in the air. The tree as an autonomous subject would also occur in his work. In the 1960s, Avramidis increasingly followed up on the depiction of bodies in movement. The artistic examination of dynamics would eventually manifest itself in his reclining figures. Avramidis, who was married to sculptor and poet Annemarie Avramidis, died in Vienna in 2016.
(1) Werner Hoffmann, Avramidis. Der Rhythmus der Strenge (The Rythm of Strictness), Munich 2011, p. 10.
Reclining Figure 1953 Small Humanitas Column I 1963-1986 Study of a Head 1963 Half Torso 1962 Small Group of Figures 1963 Man Tree Torso 2001 Leg 1957 Nude 1984 Tree 1989 Study for a Tree 1986 Trees in the Viennese Prater 1986 Nude 1980 Tree 1989 Left Leg 1987 Landscape in the Viennese Prater 1963 Band Head II 1981/82 Group of Three Figures 1980 Small Column 1963-64 Medium-sized Figure II 1963
Group of Three Figures 1980 Medium-sized Figure 1980 Medium-sized Figure 1964 Small Group of Five Figures 1964 Head with Deep Spatial Surfaces I 1969/70 Head 1970 King Minos 1984 Head 1996 Trojan Warrior 1970 Head Monument 1972 Torso/Upper Body 1986 Head 1992 Head 1998 Head 1993 Bust 1996 Head 1989 Head-Upper Body 1989 Head 1990 Head 1990
Ovoid Head 1993 Figure 1981 Figure Frieze 1965 Figure 1986 Tree Trunk 1990 Figures in the Room 1990 Band Figure 1987 Back Nude 1985 Figures 1990 Band Figures 1966 Striding Man 2002 Figure 1990 Roland Rainer 1987 Figure with Tree (Marees) 1983 Klaus Demus 1983 Draft for a Monument in the Landscape 1986 Landscape around 2000 Composition 1968 Sun 1986
Blue Sun 1990 Black Sun 1990 Composition 1977 Sun 1990 Blue Sun 1990 Sun around 1990 Landscape 1989 Landscape 1993 Landscape 1986 Landscape 1986 Landscape 1985 Landscape with Poplar Tree 1972 Landscape 1990 Landscape 1985 Landscape 1993 Landscape with Mountains 1986 Landscape 1986 Figures 1990s